La Roux Live
[info]muddle_fish

A brisk, thirty-minute walk (in the right direction) from my house will
find you at The Enmore Theatre, an art deco venue just south of
Newtown. The Enmore is the small pond where the big fish play. Chances
are, if a band is here or hereabouts, they will make their way to the
Inner West. From Aussie favourites like Wolfmother, Birds of Tokyo and
Sarah Blasko to Swedish Gods of metahl Opeth or Franz Ferdinand, Oasis,
Elvis Costello, The B52s, The Offspring, The Veronicas and if you hate
yourself or are hated by others you could catch Katie Perry or Mika.
Even the Stones played their as part of their bajillion selling Forty
Licks tour. All of these acts played in this venue that can hold about
two-thousand people, not bad.
On Tuesday last I managed to get to The Enmore to see La Roux. I kept
my eyes peeled for an announcement for the gig for many moons after
she/they were confirmed to be part of the Parklife line-up. I took my
lidless eyes off the ball for a week and the ticket went on sale and
sold almost immediately. I eventually managed to get tickets ebay for
$20 above the asking price though I was happy to pay it. Unfortunately
I learned that the gig had been moved to larger venue to accommodate
demand just after submitting what would be my winning bid. The initial
plan was for La Roux to play the Gaelic Club in Surrey Hills but the
venue is small and by all accounts the acoustics aren’t the best. The
extra tickets were snapped up in short time after the Mercury Awards
nominations were released.
Doors for the gig were at 8pm. Catcall was the supporting act and was
excellent. The band was tight; the drummer looked like a murderous
psychopath, synth/keyboard guy was a music student poster-boy and the
wispy tambourine girl looked like she was only visiting this plane of
existence for a short while.  The lead looked well in control and got
the crowd worked up a bit. At or around half nine La Roux burst on to
the stage. The loud light wall behind coupled with strobing beats hit
the crowd like a wave. The energy suddenly grew and people start
moving. For the first song La Roux emptied her lungs into the mic
looking as though she gave it her all.  As it turned out, she was just
setting the pace. With the exception of a few of the slower tracks she
really was ‘going in for the kill.’ The crowd responded in kind and
were sympathetic when, what I assume was a Windows error, caused the
synth controllers (does one play a synth?) laptop hang and later
crash. The crowd, led by the young singer with the vertical fringe
(hair that could be described as a flock of seagulls having got caught
in the intake from an Airbus A380) sang over the technical hitch. The
irony of an electro pop gig getting carried by an ad hoc acoustic
choir was lost on me. The second hitch of the evening was more of a
crash, the crowd were forgiving if a little disappointed. The problem
was the crash occurred during the final song, Bulletproof. As most of
the people I could over hear in the bar beforehand had said they only
knew one or two songs, chances are the song that had drawn them in had
not materialised. An apology was forthcoming; “Sorry for the fuck up.
Just go with it.” So we did and were rewarded with an eager second attempt at Bulletproof. This second attempt was without incident and she simply nailed it.

 

The set was short, an hour if that, but in that time we saw some of the good ship La Roux’s maiden world voyage and caught glimpse of things to come. The girl is talented. She is charismatic, cheeky, ballsy and not at self-conscious. If she can stay on top of the jazz salt she might just be top for a while yet.

 

To whom it may concern, the eponymous La Roux is the album of the year. I beg you to differ.

 

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Never say never again.
[info]muddle_fish

‘Never run out of storage space again!’ This is the bold claim from Western Digital on box of a 1Tb external hard drive I purchased yesterday. Upon reading this I asked myself not aloud, ‘Where was it last I read this?’ It may have been on a 250Gb external drive I purchased a couple of years ago. Perhaps it was part of the blurb for a 1Tb NAS (Network Attached Storage) device I ordered just over a year ago for my former employers. ‘Never,’ is it? We’ll see.

 

I do not solely identify with being part of generation-Y, I see myself more as a child of Celtic Tiger. Gen-Y was certainly a part of it but the tiger was so much more, economic evolution as well as a cultural revolution. As a result we are lazy and petulant and unappreciative and we don’t know how good we have it et cetera and so on. However, I do appreciate some things. I appreciate one whole terabyte of storage, albeit only 931Gb when looked at a little closer. I appreciate that it can be purchased at any one of a hundred locations or indeed on-line and subsequently delivered to my front door for the price of a pint. I also appreciate that it costs the paltry sum of $169. Those are Australian dollars by the way. To give a little perspective that converts to around EUR100 or GBP85. For all you maths boffins that’s one Euro for 10Gbs (or 9.31Gbs) of space. The last time I was in London I bought a cup of tea 80p, granted it was in a polystyrene cup and the vendor wore his health code violations like a badge honour but still that is 10Gbs for the price of a brew. My first PC had less space than that. It is a wondrous thing, a fantastic thing, something to be appreciated but that’s not what this is about.

 

Western Digital claim I will never run out of storage space again with this device. This is a lie. They know it. I know it. You know it. In my first day of owning the device I pushed approximately 100Gbs of data on to the drive. This weekend I plan tack on another ton or so from my laptop and then of course there are all my back-up discs which amount to 50Gbs. For the boffins again, that makes 250Gbs within the first week, neatly countering the claims of my previous drives manufacturer. If this trend continues I’ll be “managing” my data again by September. But of course the trend will not continue at the pace of a quarter of a terabyte per month. Nonetheless the claim is a spurious one, a snake-oil storage solution. I will run out of storage space, of this there is no doubt. However, when that time does rumble around I will buy another of these devices, probably from the same manufacturer because they have made it so cheap that is worth ignoring the travelling salesman pitch.

 

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La Roux
[info]muddle_fish

It is possible that I am the last person on the planet to hear about La Roux. The synth-pop sensation brings more ‘beeps’ and ‘boops’ to the sound track of the year. I first caught whisper of these guys a few months ago on lastfm (I think) as link from the Passion Pit page. In for the Kill was the first song I heard and at the time I couldn’t help thinking about blasting Vice Point in GTA: Vice City in a Comet with three stars worth of cops in my rear-view mirror. 

I hadn’t thought much about them until a chance mention in a side column of some mail shot that caught my eye. The article mentioned the new single Bullet Proof and I dutifully made my way to Youtube to see what all the fuss was about. Looking back at the Eighties the styles seem pretty stupid as at the time it was possibly considered cutting edge. These days however, we do not look forward to a pixelated future where we duel on virtual superbikes. Stark contrasts in colour and sound are no longer the future but a retro, ironic past. Comfortable in our we-know-better-now views we can enjoy the guilty pleasures of angular clothing and androgynous, female vocalists. Bullet Proof a victorious song which is as much pop and synth and should be a song you own by now.  

La Roux draws a comparison to the Eurythmics with the make up of the act but there is more to it than that and it stands as early and high praise. I could be wrong but they look and sound like the real deal. 

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Bacon & Eggish Breakfast
[info]muddle_fish
 Breakfast this morning was something I had been looking forward to make for a while; Œufs en cocotté with some bacon and maple syrup.

 

The ramekin dishes required were purchased a while ago but in the intervening weeks they found little employment save only as functional tools for melting butter in. Today however, was their destiny, their anointed hour when they would act vessels for morning-after-the-night-before gourmet goodliness, or perhaps godliness. Not yet though as I was short of a few ingredients.

 

I put foot to kerb in the rain in order to get cartons of cream and orange juice, comestibles I had successfully failed to get the previous evening owning to the sins of Friday night. Ten penitent minutes later I shook the rain from my brolly and set the oven about the task of reaching one hundred and ninety degrees. I set out four of the ceramic dishes and into each cut a small knob of butter. Having not a basting brush in the house I opted to melt the butter in the dishes and swirl it about. The pan set aside for the bacon provided an excellent heating element for my four little friends. A low gas heat and a minute or so produced salty, liquid gold for swirling. The same gas flame found continued use in the heating of a coffee percolator. Into the ramekins I cracked four eggs which had been left out on the bench to find something akin to room-temperature. Each yolk clung to the edge of its dish as though it were learning to swim. A few twists of a mill sprinkled course sea salt on the surface of each egg and the meniscus of melted butter. Cream followed and mixed naturally with the white and coated the yolk. A half-turn of a pepper mill finished things off nicely.

The four ramekins fit perfectly into a larger ceramic dish of similar design and I filled the base with boiling water so as to reach about halfway up the side of the four little ones and popped the whole ensemble into the oven.

 

The coffee began to scream in caffeinated ecstasy and I furnished myself with a half-cup. I had a few minutes to spare and so threw on some music in the form of my newest old friend, Manners. I put the lightest mist of oil into a pan and set aside four slices of bacon. I had thought to set the rashers in a tablespoon of maple but I think (though very much open to correction) that the syrup would burn in the pan and so opted against it. I set the pan on a low heat and heard the gradual rise of the spit and sizzle of oil and fat. Sounds that may actually be on the sound track of Heaven. After a turn of the bacon I increased the flame to add some level of delicious crispiness. The pace of the operation increased dramatically with the scalding of tea cups, the popping of toast and bubbling of creamy eggs. Extracting the eggs from the oven in a large ceramic dish filled with boiling water was difficult enough without having to concern myself with spilling some of the same water into the ramekins and destroying the precious treasures within. I acquitted myself well here without damage to the cargo or my hands. Victory all round I’d say. A jolting pop from the pan signalled the bacons’ desire to join the eggs on the plate and I obliged them swiftly. Knobs of butter appeared on the slices of pumpkin seed toast as though by way of magic such was the speed and dexterity with which I applied them. The œufs stayed in their dishes on the plates and maple syrup was judiciously drizzled over the bacon. Brilliant!

 

Œufs en cocotte is easy enough to make and scrumptious to boot, though next time I will give the eggs a little less time for runny yolkiness.



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Time gentlemen, please - It’s all about you
[info]muddle_fish

It’s your desktop, it’s all about you (Yahoo). It’s your health, it’s all about you (unnamed private health fund). Itsallaboutyou.com (life coaching).

 

The ‘It’s all about you’ line I feel has had its’ time, it is a thing of yesteryear. In a less dystopian economic landscape where we, all of us, are but one good idea away from an El Dorado style IPO a sales pitch that says it is all about me would be fine. However, given the Current Economic ClimateTM, I don’t hear that ‘this is my time’ but rather that ‘I’m on my own.’ In times of economic mayhem where our futures are uncertain or even bleak there is always a rise is the popularity of socialism. We are never more interested in sticking together and sharing the burden than when we have much to lose, a friend in need and all that. Nationalism seems to always get a shot in the arm too, for evidence of that one need only look to the state of alert the English print media is in on the rise of the BNP in poor, disaffected areas. Areas which grow larger by the day and more unreachable with each passing doom and gloom story.

 

The rhetoric used should be inclusive, nurturing and protective. Strength in numbers; we, us, together, these are the words that should be used to mollify the herd. In fact any other words or phrases could be used and we could leave behind this silly ‘It’s all about you’ business because let’s face it, it isn’t. If you hear this line then somebody is trying to sell you something. All about me, is it? I don’t believe individualism comes with a barcode on it nor can it be bought in bulk. If something were to be all about me, I don’t think one hundred thousand other users would get the same email.

 

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Kröd Mändoon and the Flaming Sword of Fire
[info]muddle_fish

I hadn’t actually heard of this show before reading an article on newstatesman.com in the ‘Arts & Culture’ section oddly enough. It was indeed upon reading this review that I acquired a copy of the first season immediately. In this article, Matt ‘the only gay in the village’ Lucas said of the show, “It’s Blackadder and Monty Python and the Holy Grail, with some overtones of The Lord of the Rings by way of Red Dwarf.” These lofty associations secured me as a potential fan and it was certainly given the benefit of any doubt I may have had. 

I am sad to say that this show does not near live up to the boasts of Chancellor Dongalor (Lucas) and as it turns out is more Xena meets American Pie than the afore cocktail of classics. The mini-series starts out with some gay jokes that were possibly to risqué for Will & Grace but certainly pack the same laughter payload, which is to say none whatever. The b-grade gay jokes are kept apace by Bruce, a character who might perhaps be best described as distilled Mardi Gras. Zezelryck, the magically impotent warlock, provides what may have been intended as comic relief. This token black character is fresh out of an eighties American sitcom I am surprised his catchphrase isn’t ‘dis is wack.’ He is so stereotypically cheesy I thought to check was he an unknown Wayan brother. The totty, or ‘nasty ass’ as they put it, comes in the form of Aneka, a pagan warrior for whom sex is the primary weapon in her arsenal. She is played by India de Beaufort who is beautiful despite being (or perhaps because she is) tarted up like she was posing for a Boris Vallejo calendar. Kröd is played by the guy who played Leonidas in the spoof of the film 300 and his role in this doesn’t appear to be much different. The main bad guy is Dongalor and Lucas puts in a performance that will secure him a place on the shortlist for presenter should Channel 4 decide it’s time for the Cyrstal Maze to make a come back. 

The show is pretty much pants, or pantaloons, or in this case it would probably be greaves. The story is nothing you haven’t seen, heard or read before, standard fantasy faire as a vehicle for tried and tested gags. There is not one clever line in the whole series, no wit and no subversive humour which leaves me wondering if Rachel Cooke from The New Statesman online has actually seen Blackadder, Monty Python, etc. That said I did watch all six episodes and if they actually get to make a second season I will probably ‘acquire’ that also. Mercifully the episodes each only run for twenty-five minutes, so you’ll not have to regret wasting too much time watching it if you don’t like it.

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Terminator 4
[info]muddle_fish

I had heard some bad things about this film so I went to see it with low expectations. I think that may have help as I enjoyed it. I was surprised it was as good as it was because the Terminator franchise (as we call these things now) had become a joke with T3 letting Arnie at the script and the embarrassing Sarah Connor Chronicles. However, the name ‘Salvation’ seems rather apt for this final (hopefully) instalment which shows that dystopian future we have been teased with for the last quarter of a century. Though this movie is directed by what is credited as ‘MCG.’ Now I am not sure if that is an elected name which represents a group of directors or it is the name of an Irish gangster-rapper, either way they could be a touch clearer.

 

Bale is pretty good as Connor in what is a typical action hero role. Worthington, who kind of looks like Arnie at times, also puts in a good shift but with what is a pretty weak character. It’s hard to sell being a revenge-seeking badass with the loadstones of contrition and self-loathing around ones neck. Plucky teenagers are usually to get a thumbs-down from me but Yelchin (Chekov from the new Star Trek) does okay in the had-to-grow-up-too-fast role of Kyle Reese. Moon Bloodgood provides the eye candy to which I offer a nod, nay two nods of approval.

 

This is a big action movie so you should see it on the big screen.

 

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Død Snø
[info]muddle_fish

My last movie of the SFF was an absolute cracker. Dead Snow sees a group of medical students take a secluded holiday in some snowy mountains in Norway. This remote area near the top of the world is also home to a regiment of Nazi soldiers, who happen to also be zombies.

I don’t think I could ruin this movie with a spoiler even if I tried. The plot is pretty straight forward; a secluded location, a group of horny students and an army of undead Nazis. The suspense is well constructed until the orgy of violence commences at which point we are exposed to gore-fest action which is at times hilarious.

If you, like me, are a fan of Dog Soldiers then you will probably love this film.

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Sinking ship
[info]muddle_fish

It being festival season I went to a festival event this evening. This particular event was to celebrate light, creativity, innovation and other such wishy-washy abstract concepts to people down to The Rocks and spending money in tourist town.

 

I started off with a double espresso and brownie from the Guylian café to wake me up as I was flagging a bit for no obvious reason. After this the party moved to the promenade at Campbells Cove where spicy chorizo was wisely invested in. The crowd had gathered and there a good few thousand people sitting around looking cold and bored. I was there to see a show called Fire Water which being in Sydney harbour I assumed would be a spectacular event where some pyro-maturgists would set fire to some reasonable area of the water and there would be fire works and all the rest. It was a mistake to assume this.

 

A slight buzzing slowly became evident and I notice that the lamppost a few metres to my right was, in reality, a rather tall stand supporting some rather large speakers. The buzzing became a hum and the hum became deafening. In the water there were a few crafts that were essentially pontoons and about one hundred candles floating in paper vessels. As the hum became uncomfortable for even the most unflappable of the audience two persons dressed like monks holding tall torches ablaze ushered a boy along the edge of the cove. The boy got into a boat and did something that may or may not have been meaningful. While this was happening a group of colonists in red coats rowed past a pontoon platform upon which a series of cardboard cut-outs of poor people began to rise. The colonists disembarked their vessel and took up instruments and broke into some self-indulgent, progressive rock. After that din had ended the speakers began pumping out monotonous racket heard earlier but now with a bit more urgency. It was at this point that I notice other members of the audience as confused at I was.

 

I had hoped that the event was concluded as I was not enjoying myself and keeping good company about it too. For no apparent reason a ghost ship then emerged from the water on which the boy from earlier sang a stupid song. After his warbling ended to no ovation whatever, a red coat, no doubt sensing the mood of the crowd, put a torch to the ghost ship. Jets of flaming gas poured from rigs in the boat and the odd fiery geyser reached out but other than that it was pathetic. The ghost ship then sank back into the water and that was it.

 

So to summarise, a colonial progressive rock band scuttled a ghost ship on their way to conquer a new land.

 

In be fair, it was not nearly as entertaining as I made it out to be.  

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Meet me at the Mango Tree
[info]muddle_fish

This was a documentary film of five parts of which only three were
shown. The director and producer introduced the piece briefly but said
that the initial intention was to film a documentary in Southern India
examining life in the aftermath of the tsunami but it soon changed
direction and followed the lives of five people. These were filmed as
individual documentaries and not in the context of a post-tsunami
Southern India.

The first part told the story of an ironing man. At the time of
filming he was a grandfather but he told the story of his life from when he was a young man. He appeared to have been dealt bad hand after bad in life and though now
feeble continues to work to support his children and grandson.

 

The second part was called ‘Crab Boy.’ He was of an age where his friends were still in school but he spent his days hunting for mud crabs. He was shown to be a boy of some industry despite the pernicious influence of his alcoholic father.

 

The third and final chapter followed a rural television repairman, his struggles with illness and against the influence cheap Chinese imports. His wife was also focused on and shown to be a more a partner to her husband than other women.

 

I found this documentary to be depressing. I am sure I should be inspired by the subjects’ perseverance but I was not. I think the director was moved by the lives of these people but all I saw was teenage boy, effectively a hunter-gatherer, whose mother cooked the food he caught nothing more than campfire outside their grass roofed hut. That same boy got a job shaking mangos from trees and used some of that money for what I think was a Nokia 6110. He had no shoes and but he had a mobile phone. It was an odd reaction but at this I felt embarrassed at this.

 

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Black Dynamite
[info]muddle_fish

Slapping the anaconda of tongue-in-cheek slick on the forehead serious cinema, Black Dynamite pimp slapped its’ way on scene at the SFF to side splitting welcome. This spoof homage had the audience in tears from start to finish. Perfectly flawed editing, forgotten lines and a plot so cheesy it would have even the smelliest Normandy camembert holding its’ nose.

 

Michael Jai White is Black Dynamite, a retired CIA agent who kung-fus his way through tier after tier of bad guys in search of revenge for the killing of his brother and for the drugs being sold to the kids in the orphanage.

 

Find the time to see this film.  



500 Days of Summer
[info]muddle_fish

My third show at the film festival just about leaves me three for three in good choices for film so far. There was nothing in this that I hadn’t seen before but quite often those films are not done so well. There were plenty of laughs from the audience though it must be said about half of that was generated by not one but two comic relief/side-kick friends of the main character Tom. The material from these two was all safe bet stuff and could have been plucked from a folder labelled “Dude, that’s so gay!” and other such one-liners.

 

Tom, played by Joseph Gordon-Levitt (or as I know him, the youngest guy from 3rd Rock from the Sun) is delivered in a good performance for what seems like a rather unchallenging role. His wardrobe, accessories and taste in music is cutting-edge, retro chic and bugged me from beginning to end and kind of made him look like he was modelling for a department store catalogue. As JGL looks like a young Keanu Reeves it is hard to take him seriously as an actor and the lingering, stoned look he pulled each time he tried to smile backed that up. He did nail some scenes; one in particular was a triumphant walk to work which was very entertaining. The object of his desire is Summer, played by Zooey Deschanel, who is a the quirky, distant, unconventional girl you’ve seen before and probably played by Deschanel. The role isn’t a huge stretch for her and as expected she delivers it well. Summer, a frustratingly enigmatic character, is either a merciless tease or relentlessly honest. I could not decide which was true. There is some traditional role reversal with Tom desirous of a more substantial, quantifiable relationship and Summer content to keep things casual. There is nothing ground breaking in this but it is played out well.

 

The film is presented in a series of scenes which jump back and forth through five hundred days from when they first meet. This mode of delivery is a great device to show the contrast of the varying states Tom finds himself in. The highs and the lows are displayed side-by-side so we do not see the fall but only the hard landing followed by the previous high and vice versa. Despite this the movie progresses well and never really falls of the pace.

 

This probably isn’t the greatest endorsement of the film but it is worth the watch. If Nick and Norah's Infinite Playlist is your kind of movie then you’ll probably like this. I liked Nic and Norah and I liked 500 Days of Summer, there is no revelation but it is very much greater than the sum of its’ parts.

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Bills, Surry Hills
[info]muddle_fish

I went to restaurant of some renown this morning for breakfast. In actual fact it was not the morning, it was around two in the afternoon and the breakfast menu was no longer being served. Nonetheless the items that I was looking for were on the menu under the heading classics. Bill has been carving a reputation for himself for about fifteen years in Darlinghurst, Surry Hills and Woolahra so maybe calling these dishes classics is not altogether out of line. The two dishes were corn fritters and hot-cakes.

 

The corn fritters were in fact sweet-corn fritters. For those who don’t know what a corn fritter is (I have only discovered these treats recently) they are basically made of corn kernels, eggs, flour, some herbs and then fried. Delicious! Bill is famous for his fritters as they are of a particularly high quality but are also served with an avocado salsa, bacon, fried tomato and some baby spinach. I have had similar, though not of same quality, while working off the rigours of a previous evening and they go down a treat.

 

The hot-cakes were not simply hot-cakes but ricotta hot-cakes. They are thick but surprisingly light and served with honeycomb butter, banana and maple syrup. Any flimsy allusions to healthy eating that may have been promoted by the previous dish were shattered by the hammer of artery clogging goodness.

 

I had some leaf tea (Irish Breakfast) with breakfast and an espresso afterwards the aroma of which was enough peel open my eyelids in my post binge state. Happiness is!

 

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In the Loop
[info]muddle_fish

Unlike Looking for Eric I new exactly what to expect from Iannuccis’ In the Loop; visceral political satire, contemptible characters and hilarious dialogue. The script can be broken into two sections; the first being dialogue that ranges from hilarious to cringe-worthy, the second being Malcolm Tuckers bile-filed, monologuous rants. Peter Capaldi has lost nothing of what made his Tucker character so admirably loathsome. Chris Addison also resumes his role as Toby, a selfish, public school, Oxford equivalent of a frat boy who is ultimately as likeable as he is idiotic. James Gandolfini heads up the American side of the cast swimming in bureaucracy and terrified of losing face.

 

In the Loop is aptly named, each character is all but terrified of making a decision but equally so are at pains to be part of the decision making process. The cycle of one-upmanship and arse-covering descends into farce with far reaching consequences. This film attacks the landscape of professional politics and the players whose political mores amount to nothing more than trying to look good or make their colleagues look bad. However, these characters are fictional and we can sleep soundly in the knowledge that the two most militarised nations in the western world would not behave this way.

 

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Looking For Eric
[info]muddle_fish

I truly didn’t know what to expect from this movie. I may have mentioned that it had the potential to be the greatest movie of all time but that was simply based on the concept of a movie based on Cantonic philosophy. Also this another Loach & Laverty collaboration so it came with a certain amount of pedigree.

 

Looking for Eric would have been a fine flick had the eponymous (kind of) hero not appeared at all. The movie tells the story of Eric, a Mancunian postman and United fan whose life is getting away from him. We see a man bereft of confidence, trod on by his stepsons and wracked by thirty years of guilt. Eric is a man for whom the only escape is the zealous reliving of the greatest matches of recent Manchester United history and the moments of genius from his idol, Eric Cantona. He is a man looking for a way out as he is too weary to try and walk the path to redemption.

 

The above is the plot and that’s all you’ll get from me by way of spoilers. The film industry in the UK has made it their stock-in-trade to create working-class comedy. This movie showcases more of that and is once again silver-screen gold. Erics Bishop and Cantona are played brilliantly by Steve Evets and Eric Cantona respectively. While Evets is required to deliver a range of emotions as he portrays Bishop, Cantona must simply relive and deliver the enigmatic arrogance of his glory days. In the past we would have had to make do with press conferences of a dozen words but here we get a supporting character with a script which could be from Laverty, as credited, or could have been written by Cantona himself.

 

In short, I loved this film.

 

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Garef to Citeh
[info]muddle_fish

It would appear that Gareth Barry is the first big name move of the summer. Although I suppose the appointment of Carlo Ancellotti at Stamford Bridge has to be in contention but as he is a manager I am not entirely sure his move counts. Nonetheless, Barry, while headline news, cost relatively little. Twelve million pounds sounds like a snip even for a twenty-eight year old player. If one considers that sixteen-and-a-half million of the Queens’ pounds buys a Darren Bent (that cost was weakly justified at the time by his status as an England international) then picking up a Barry (also an England international) with change enough to buy a Malbranque or a Richardson sounds like a tidy bit of business.

 

Gareth Barry was at the centre of one of last summer most tedious transfer sagas. Three months of ‘Will they? Won’t they?’ ended with the sweet release of the close of the transfer window. At the time, however, Liverpool and Arsenal were the only suitors to be fluffing their respective cravats in his direction. In contrast this summer kicked off with an uncharacteristically swift transfer. This anomalous piece of business can be just as swiftly explained by the reported one hundred thousand pounds per week that he’ll be earning at Eastlands. That obscene amount of money is apparently enough to make a player apparently sought after by half of the ‘top four’ rethink his desire to play in the Champions League. Fair enough!

 

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Adelaide
[info]muddle_fish

 

A few months ago I spotted a series of paintings in Glebe on a Saturday morning at the markets. The paintings caught my eye for their use of simple colours and comic book style. It reminds me of Frank Millers’ Sin City or something by Rian Hughes.

Today this painting arrived in my house and has found its way, at temporarily, on to the top of my wine rack. The paintings film noir style contrasts fantastically against most everything in the house. I would like to get a few more of these but perhaps it would lose some of the effect to have more of the same.

The piece is called ‘Adelaide’ from a collection of paintings aptly named ‘Desperate Damsels.’ It is 100cm2 is size.


Keeping schtum, a good idea.
[info]muddle_fish

Last Fridays schedule was to be kept clear as the plan was; drinks and dinner to be followed by some drinks. After that, however, we found ourselves at an impasse. Our party numbered five and our ideas were none. Where should we go before? Where should we go afterward? Indecision seems to affect my company regardless of the country in which I reside. One lively soul decided to take a step out of the realm of decision-making by helpfully suggesting list a list of restaurants that we might be interested it. Mamak, Wagamama, Genghis Khan, Chinta Ria and Young Alfred were the ideas put forth. Mamak, a Malaysian eatery which is pretty basic, was instantly vetoed to my disappointment as a night of double dipping roti in unidentified spicy sauces is something I don’t have to be invited to twice. Wagamama is Wagamama, fine if a bit franchisey. Genghis Khan, a King St Wharf Mongolian barbeque with no reputation at all. Up on the top level of the wharf is the Chinta Ria which is lovely but priced appropriately for a place on the waterfront. Due to dietary restrictions of one of the group, Young Alfred, an Italian place, was ruled out. Emails went back and forth, as they do, to which I replied with something that was, at the time, amusing to me. Seeing the name Khan I replied with an elongated ‘KHAN!’ a homage to the second Star Trek movie and topical given the franchises recent activity. I then followed up the rest of my missive by punctuating each sentence with the name ‘Genghis Khan.’ It was not amusing. It was not funny, or clever, or in the least bit entertaining but it was enough to get everyone to agree. I felt like an idiot conscript. My captain had asked for a volunteer to muck out the pig stalls and I was the last one to step backwards. So Mongolian barbeque it was to be, not the worst fate but the decision to pick that restaurant from the list had been mine. If dinner was a success it would go down as a team effort, an example of how collaboration can work and a salute to democracy. If the meal was poor then I would held accountable. ‘You’re the one who ruined our Friday night’ they would say before touching a torch to the base of the stake I would be burned upon. There was nothing to be done for it. Nobody would back away from this newly laid plan and return to endless cowardly debate. Whether a hero or a villain, for the moment I remained a fool for not keeping schtum. 

 

Hours and days filtered by until Friday arrived rather predictably after Thursday. Having watched the candle burn down on my working day I prepare to leave at the anointed hour. The plan was simple, leave when it was time to leave and there would be no room dawdling or mincing about and certainly no idle conversation was to be entertained. I pictured a Fred Flintstonesque exit, logging out of my computer with a clocking card made of stone and using the elevator as a Brontosaurus. With ten minutes on the clock a voice from behind a barrier sounded the alarm. ‘Do we have that meeting now?’ My heart raced. I understood and without judgement accepted that my colleagues were socially hermetic and a meeting when it was clearly time to leave was not to be frowned upon. I, however, am not one of my colleagues rather I am myself and I am not inclined toward the life of a hermit. Another soul, eager to fend off the rigours of life outside the office asked, ‘what meeting?’ ‘You know that meeting that they have’ said another well-up-to-speed member of the troupe. ‘Where is it on?’ ‘What time does it start?’ I mentioned to a colleague that I would be in absentia I received only a frown and short, dramatic intake of breath through pursed lips. I slumped in my chair and treated myself to a brief tantrum. Though not old I felt too old for this kind of behaviour and shook from my childish reverie. I began thinking of excuses that would get me out of this meeting. To formulate a more sound plan I would need more information and so asked a simple question. ‘What is the meeting about?’ Nobody seemed to know. It seemed as though I would be going to a meeting at some as yet undecided venue, to learn more about a subject nobody could identify at an unspecified time. All of this would happen after the point at which it was acceptable to leave on a Friday night. People were looking forward to it too. Gathering themselves up, they marched off in the direction of a slowly growing group of people. Not one to assume too much in general I thought it still a safe bet that where the group of people were was a good place to guess as the meetings intended location. This presented a problem. It was in the middle of an open plan office. Escape routes were plentiful but none could be accessed without notice. I briefly thought of those slapstick moments on television were a character ducks behind a desk and crawls like a soldier toward his exit. My desire to retain dignity out weighed my desire to leave on time but only just. As I joined the group the allure of this meeting became clear, free beer. As the Americans might say, ‘they gave it the old college try’ in getting people to join the meeting. Beer, wine and corn based snacks. It was a good plan and I tipped my cap to it in grudging respect. I remember fondly my time in college, where my friends and I would e’er be on the hunt for free beer. We would go anywhere for free beer. Indeed the phrase ‘free beer’ became synonymous with a good time. A friend would ask, ‘How was the thing last night?’ I could simply respond with a ‘free beer’ and that would be enough to mark it as a pleasant event. I think I may have even joined The Young Socialist Party in search of free beer. Embarrassing as that is now my reasoning at the time was that if those shiftless layabouts wanted to share everything they could share their plenty with me. I could endure some Bolsheviks rant about the evils of the bourgeoisie once my cup was full. Needless to say I scooped up a drink from the cool box and weaved my way to a dish of mixed nuts. Nerdfolk, in general, possess notoriously weak constitutions, thus increasing the percentage chance of some of the attendees suffering from nut allergies. I theorised that this, where the mixed nuts were situated, would be the thinnest section of the crowd where I might slip out unnoticed. After a few moments of off-the-shelf, pre-meeting small talk, the chair arrived. I turned to position myself closer to an escape route but found that I was surrounded by colleagues who had inexplicably shaken off their crippling fears of nuts and anaphylaxis. I was trapped and to make matters worse I was nearing the end of my beer. Uttering an apology for late start of the meeting the head guy pulled out a sheet of paper and proceeded to list off achievements and congratulations and plans for the coming year. By the time he had arrive at the ‘v’ in achievements I was dry and the salt from the mixed nuts was taking its’ effect. There was wine within reach but it was too much to hope that no one would notice me drinking wine by the neck or decanting it into my empty beer bottle.

 

After a quarter of an hour the meeting ended and curiously some people remained behind to continue with their small talk. Or maybe they were simply saying a polite goodbye and I perceived this to be hanging around. I on the other hand ran from the meeting, perhaps unwisely shouting, ‘It’s about f***ing time.’ Following this I waded into traffic, the typical forty-five minute journey taking close to two hours in the weekend rush. At home, I managed to park my car and spruce myself up a bit before departing for the training station. I estimated that the journey, from my front door to the evenings first glass of wine, would take roughly fifty minutes. After leaving the house I found myself hoping to find a complimentary newspaper on the train, to while away the thirty minutes of travel. After the first stop, my journey became surprisingly entertaining. I took a seat at the front of the carriage and was subsequently joined by a young lady of perhaps nineteen or twenty years. She was of average height, with blond hair and was wearing makeup that had evidently been applied in a rush or by accident. She also had a very large and conspicuous hole in one of the legs of her tights. She appeared to be agitated, and began checking her phone every couple of moments and upon discovering nothing to her satisfaction, huffed and tutted. I stifled a grin and poorly at that. I think she noticed and added a roll of her eyes some more tutting. Eventually her phone rang and she answered with all the absence of politeness one could muster. A brief exchange followed and I pieced together from her side of the conversation that she was late for engagement and still had a half hours journey before her. The call ended as abruptly as it started. The young lady stood with an almost imperceptible stamp of one of her heavy heeled shoes. This was followed by petulant pacing up and down the standing area of the carriage. An elderly woman of Chinese appearance entered same area of the carriage and upon noticing the gait of my travelling companion turned and went to look for a seat elsewhere. The huffing had developed into curses masked with all the clumsiness of one looking for attention. I continued through the property section of my complimentary magazine, counterfeiting apathy but still my grin remained. Another call came but this time she was more polite. It was clear that whatever circumstance she found herself in that at the other end of the phone was a person who held for her hope of salvaging a Friday night. Another two calls and it became clear that the girl had a certain task as did other in her absent party. Someone was going to drive around to collect someone else; another was going to get alcohol of varying descriptions and my new and still nameless friend was in charge of purchasing the drugs. I assumed she was buying pills as she referred to the prize as ‘them’ or ‘they’ and not ‘it.’ Eventually after another round of phone calls she had arranged a suitable amount for the sum total of eighty dollars, ten of which she dropped on the floor of the carriage. She did notice she had lost the note but only due to the good nature of the train in catapulting her about a metre forward. I would have pointed out the cash as it occurred to that I would appreciate the same gesture and I was concerned that she may be participating in a deal where she would have less money than promised. Stylised visions of newspaper headlines born of watching too much of The Wire spun in my mind and the guilt I might have felt for having let her go ill prepared. At my fourth last stop she broke our silence and asked at what station had we stopped. Listening to an announcement and looking at the well-lit, floor-to-ceiling signs declaring our then current location I answered. She replied with a thank you and smile. She seemed all the more pleasant for the burden of drug buying being all but lifted, a little pre-high, high. After three more stops of the same stupid question she arrived at her destination and alighted. We both of us had had stressful days, but nothing sooths like Friday night.

 

It was the next morning that I reflected on an enjoyable evening. Having consumed lots of wine, some beers and a Long Island iced tea that may have been poured from a can I slept in until four in the afternoon, a disgraceful hour by anyone’s standards. The meal of the previous night was poor. The food was of a cheap take-away quality, it was relatively expensive and given the theme of the establishment I had to do most of the work myself. Mercifully, it appears my new boy in town status remains somewhat intact and I allowed my fellow revellers to think that the faire at Genghis Khan was the equivalent of haute cuisine from Ireland. Ordinarily I am not the biggest fan of pity, given or received but I welcomed their culinary pity with open arms and assume I shall be relieved of decision making duties for the foreseeable future.


Sydney Film Festival
[info]muddle_fish


Still nursing a hangover from the writer’s festival, the City of Sydney ditches the Harris Tweed in favour of a risqué, couture little number for the red carpet of the Sydney Film Festival.

 

There is plenty on offer this year from John Malkovich struggling in contemporary South Africa to Nazi Zombies (or Zombie Nazis) in Norway. The first film I booked was In The Loop, a film satirising decision making in the political landscape of pre-war Washington D.C. Armando Iannucci finally brings Malcolm Tucker (played by Peter Capaldi) back and this time to the big screen. Tucker was a fictional character based on Alistair Campbell in Iannuccis’ mini series In The Thick Of IT. The show is based around a few fictional characters in the New Labour government as they spin their way through ministerial ineptitude, gaffs in the media and ‘on the hoof’ policy making. It is the worst of politics at it knife-edge best. It is the funniest, most sweary comedy you’re likely to see from the Beeb. I honestly can’t wait for it.

 

I shall also be attending the opening night, gala screening of Looking For Eric, a film starring Eric Cantona as Eric Cantona. I don’t know what the film is about but the blurb states that Eric Cantona provides spiritual guidance to someone or other. It has the potential to be the greatest film of all time. Also John Woo and Teri Hatcher will be on the red carpet that night.

 

I shall also endeavour to see Red Cliff by John Woo, a historical action ditty and the most expensive Chinese-language film ever made. Epic battles during the time of the Han dynasty, this will be at least excellent.

 

Black Dynamite is scheduled for a midweek showing. ‘So bad, its good’ movie making never had it so easy as when blaxploitation was all the rage. This tongue-in-cheek homage to the likes of Shaft, Willie Dynamite and Foxy Brown produced one of the most hilarious trailers I have seen. Again, another film I can’t wait to see.

 

Five Minutes Of Heaven was a movie I hadn’t heard of until happening across it on www.sff.org.au. Oliver Hirschbiegel, director of Downfall, helms this movie set in Northern Ireland in the 70’s and present day. Liam Neeson and James Nesbitt star in this, what should be an interesting take on the subject matter by an ‘outsider.’

 

x


For those about to rock in nine or so months
[info]muddle_fish

My ticket to AD/DCs forthcoming, second of two gigs has been secured. After my feeble attempts at refreshing the ticketek.com.au bore only the bitterest fruit and the endeavours of my support team went unrewarded, I gave up. I resigned myself to some highway mans toll and that the cost of my second hand ticket would pay for the evening of someone with more luck than I. The ends justifies the means, it is said and what price hath true rock? As I sat, wallowing in the melancholy of ill fortune, I received a call from a friend, “Did you manage to get tickets?” Upper lip remaining resolutely stiff in spite of the torrent of emotion I was subject to, “No! I’m afraid I didn’t.” Somehow the rumbling pangs of a fellow rocker must have been heard through the umbra. “Well, stop whimpering you enormous girl,” said my friend and saviour “I joined the AC/DC fan club last week so I’ll be able to get them.” I sipped a celebratory cup of tea.

 

Not two days before this epic morning of ticket hunting did I purchase a copy of Black Ice. If it were only Rock n’ Roll Train it would be enough. Hints of Highway to Hell, the thumping lead single from the album was an instant anthem and signalled that the Young brothers could still pen some thoroughbred tracks. Indeed once I had arrived home I spun the sound up to eleven and played lead air guitar with a spatula in my kitchen. My fifteen job working Vietnamese nearby neighbours probably didn’t appreciate music that could be measured on the Richter scale disturbing their daily one hour of sleep. Who cares, right? The Gods of Rock demand homage be paid and thrice I paid them. If it wasn’t for one of the strings on my spatula breaking I would have played it a fourth time. In the words of Mick Jagger, “It’s only Rock n’ Roll but I like it.”

 

Speaking of aging rock gods on their final, honest last chance to see them tour, Angus & Co. are not getting any younger. The Scotch-Aussie master of hard rock is only fifty-five years old but the last time they played around this neck of the woods was about eight years ago. He could be Jaggers age by the next time they play here. Still I look forward to what will no doubt be an awesome evening of stadium rock anthemology.

x


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